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| Performance & Installation/ | 28-Dec-2018 | - | |
| Te veo/Me ves | 26-Aug-2018 | 1.1 MB | |
| And those in the city... | 10-Aug-2018 | 2.3 MB | |
| On Record | 11-Apr-2018 | 890 KB | |
| La clase de dibujo libre | 17-Jan-2018 | 1.4 MB | |
| tattoo | 07-Jan-2018 | 1.1 MB | |
| Entrevidas | 05-Nov-2017 | 1.1 MB | |
| Rastros Corporales | 23-Jun-2017 | 673 KB | |
| Untitled (Rape Scene) | 08-Jul-2017 | 711 KB | |
| Smile Now Cry Later | 30-Jan-2015 | 554 KB | |
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Entrevidas (1981/2017)November 5, 2017Performance: 40 minutes Post-performance installation: Broken Eggs, Dimensions variable "Anna Maria Maiolino," curated by Bryan Barcena and Helen Molseworth, public programming by Amanda Hunt Museum Of Contemporary Art (MOCA) Grand Avenue, Los Angeles, CA Documentation: Alexia Veytia-Rubio, Eunice Cho In 1981, Anna Maria Maiolino performed Entrevidas (Between Lives) in response to the military dictatorship in Brazil. In a literalization of the saying "walking on eggshells," Maiolino traversed a minefield of raw eggs, attempting to keep all eggs whole in the process. Due to the differing social, cultural, and political contexts in which I re-performed Entrevidas, I danced folklorico, Mexican folk dancing, while dressed in the traditional costume, actively crushing the eggs rather than avoiding them. I danced to one song, La Negra, repeatedly, as it is the only dance I can (partially) remember from my folklorico lessons as a child. Only I heard the song as I listened to it from earbuds plugged into my iPhone.
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Post-performance installation