Index of /Artemisa Clark

Name Last modified   Size
Parent Directory/     -
  Performance & Installation/ 28-Dec-2018   -
    Te veo/Me ves 26-Aug-2018   1.1 MB
    And those in the city... 10-Aug-2018   2.3 MB
    On Record 11-Apr-2018   890 KB
    La clase de dibujo libre 17-Jan-2018   1.4 MB
    tattoo 07-Jan-2018   1.1 MB
    Entrevidas 05-Nov-2017   1.1 MB
    Rastros Corporales 23-Jun-2017   673 KB
    Untitled (Rape Scene) 08-Jul-2017   711 KB
    Smile Now Cry Later 30-Jan-2015   554 KB
    Forward Motion (It's ... 28-May-2013   131 KB
  Other Media/ 26-Dec-2018   -
  Curatorial 23-Jun-2017   2.8 MB
  CV 19-Dec-2018   47 KB
  Contact 02-Jan-2015   -

Entrevidas (1981/2017)

November 5, 2017
Performance: 40 minutes
Post-performance installation: Broken Eggs, Dimensions variable
"Anna Maria Maiolino," curated by Bryan Barcena and Helen Molseworth, public programming by Amanda Hunt
Museum Of Contemporary Art (MOCA) Grand Avenue, Los Angeles, CA
Documentation: Alexia Veytia-Rubio, Eunice Cho

In 1981, Anna Maria Maiolino performed Entrevidas (Between Lives) in response to the military dictatorship in Brazil. In a literalization of the saying "walking on eggshells," Maiolino traversed a minefield of raw eggs, attempting to keep all eggs whole in the process. Due to the differing social, cultural, and political contexts in which I re-performed Entrevidas, I danced folklorico, Mexican folk dancing, while dressed in the traditional costume, actively crushing the eggs rather than avoiding them. I danced to one song, La Negra, repeatedly, as it is the only dance I can (partially) remember from my folklorico lessons as a child. Only I heard the song as I listened to it from earbuds plugged into my iPhone.

installation Post-performance installation

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