| Name | Last modified | Size | |
|---|---|---|---|
| Parent Directory/ | - | ||
| Performance & Installation/ | 28-Dec-2018 | - | |
| Te veo/Me ves | 26-Aug-2018 | 1.1 MB | |
| And those in the city... | 10-Aug-2018 | 2.3 MB | |
| On Record | 11-Apr-2018 | 890 KB | |
| La clase de dibujo libre | 17-Jan-2018 | 1.4 MB | |
| tattoo | 07-Jan-2018 | 1.1 MB | |
| Entrevidas | 05-Nov-2017 | 1.1 MB | |
| Rastros Corporales | 23-Jun-2017 | 673 KB | |
| Untitled (Rape Scene) | 08-Jul-2017 | 711 KB | |
| Smile Now Cry Later | 30-Jan-2015 | 554 KB | |
| Forward Motion (It's ... | 28-May-2013 | 131 KB | |
| Other Media/ | 26-Dec-2018 | - | |
| Curatorial | 23-Jun-2017 | 2.8 MB | |
| CV | 19-Dec-2018 | 47 KB | |
| Contact | 02-Jan-2015 | - |
Rastros Corporales (1974/1982/2017)English translation: Body TracksJanuary 10, 2017 Performance: 35 minutes Post-performance installation: Red paint; Dimensions variable "Dialectics of Isolation," curated by Artemisa Clark Human Resources, Los Angeles Documentation: Joshua Chambers-Letson, John Tain, Matt Savitsky
I reperformed Ana Mendieta's Rastros Corporales (1974/1982), wherein the artist marks either paper or canvas with blood and paint with a single, performative gesture. Rather than making a single set of tracks on a material that could be moved, as Mendieta did, I repeated the gesture until the white walls of a gallery were covered in the red markings, the audience surrounded by dripping, red paint. While the installation was eventually painted over, it could not be fully removed and is therefore inextricable from the space in which it was created. It can be covered, but it will always remain. This was performed during the run of Carl Andre's solo show in Los Angeles.
|